
And after seeing, once again, my mother’s disappointed face, something inside me began to die. I hated the tests, the raised hopes and failed expectations.
When an individual is forced to conform to the expectations set by their guardians, it causes the individual to become miserable, and therefore rebel against these expectations, forming their true identity.
“Two Kinds” is a coming-of-age story, in which the narrator, Jing-mei, struggles to forge her own sense of identity in the face of her strong-willed mother’s dream that she become a “prodigy.” Jing-mei is caught between her Chinese mother’s traditional ideas about how to raise a daughter and her own development as a Chinese American girl straddling two cultures. Like many immigrants to the United States, Jing-mei’s mother has created idealized visions of her adopted country as a land of opportunity where all dreams may be realized. The first line of the story introduces this central idea: “My mother believed you could be anything you wanted to be in America.” Having absorbed idealized visions of the “American Dream” from television and other forms of mass media, Jing-mei’s mother manages to fabricate a seemingly endless supply of success fantasies for her daughter. Each new inspiration about the nature of her daughter’s destiny to become a “prodigy” is sparked by what she sees on television, reads in women’s magazines, or reads about in such mass-market publications as Ripley’s Believe-it-or-Not. Jing-mei soon finds that her mother’s determination that she becomes a prodigy threatens to stifle her own sense of who she is. Ironically, it is out of defiance against her mother that she ultimately does forge her own sense of personal identity. Jing-mei’s sense of failure to embody her mother’s hopes and dreams is at first distressful to her: I hated the tests, the raised hopes and failed expectations. When she looks in the mirror one night, she sees only her mother’s vision of her as a failure and a disappointment:
I looked in the mirror above the bathroom sink and when I saw only my face staring back—and that it would always be this ordinary face—I began to cry. Such a sad, ugly girl!

The face Jing-mei first sees in the mirror is the face of who she is in her mother’s eyes. “Trying to scratch out the face in the mirror” symbolizes her attempt to erase or obliterate her mother’s image of her as a failure. Through this acknowledgment to herself that she is not the person her mother wants her to be, she begins to glimpse an image of her own definition of herself emerging from the mirror.
And then I saw what seemed to be the prodigy side of me—because I had never seen that face before. I looked at my reflection, blinking so I could see more clearly. The girl staring back at me was angry, powerful. This girl and I were the same. I had new thoughts, willful thoughts, or rather thoughts filled with lots of won’ts. I won’t let her change me, I promised myself. I won’t be what I’m not.

Through this insight, Jing-mei for the first time articulates her determination to live by her own self-definition, rather than those ill-fitting “selves” her mother continues to impose upon her. As the story progresses, Jing-mei becomes more and more openly defiant against her mother’s wishes. Later, when her mother insists that she continue to attend piano lessons after she has made it clear that the piano is not her calling, Jing-mei further strengthens her resolve not to conform to her mother’s wishes. This is also an important moment in the development of Jing-mei’s cultural identity. For the first time, she articulates her resistance to her mother in terms of the cultural gap between her mother’s traditional Chinese ideas about daughters being obedient and her own perspective as a strong-willed Chinese American girl. When her mother continues to insist that she attend her piano lesson, Jing-mei becomes openly defiant. Through this assertion of her own will against her mother, Jing-mei strengthens her sense of personal identity in opposition to her mother. Jing-mei begins to sense the emergence of her true, inner self.
Citations:
Image 1 – https://walifromthebx.medium.com/anxiety-can-make-you-feel-like-a-goddamn-pressure-cooker-c8b9ecf01e36
Image 2 – https://www.dreamstime.com/cartoon-sad-depressed-man-looking-himself-mirror-cartoon-stick-drawing-conceptual-illustration-sad-depressed-man-image129384624
Image 3 – https://www.wrschool.net/cms/lib/AZ02214740/Centricity/Domain/1613/TWO%20KINDS%20Text.pdf














in an ideal, unrealistic world. As time went on, Jing-Mei was losing hope in this dream. Soon she began to actively go against her mother, refusing to do what she said. This caused a major disagreement between the mother and daughter, leading to a lost connection and a damaged relationship. This conflict was caused by wanting different paths out of life for Jing-Mei. Jing-Mei did not accept her mother’s expectations, making it extremely difficult to have a strong, healthy relationship.
lessons but, at the time, my friend did not want to do this. I almost quit because I did not want to cause conflict but, in the end, I went regardless. Now that I look back on this experience, I am extremely grateful that I took this opportunity when it came rather than avoiding it to conform to others expectations. Through this experience, I learned the lesson that though disagreements may arise from having different expectations, one must live their life the way they want to because life is short and happiness is important. 










